Successful night in Elgin (or as successful as things can get in Elgin)
Sorry Elginians.
We got off to a rocky start. Something sounded like it was blown on my amp. Gots to get to the amp doctor. I used one of Larry’s infernal machines and got a decent sound out of it, with the help of Ye Olde Dogge. By the 2nd take we’d amassed an impressive potpourri of mistakes leading to the following verbal exchange…
Me: “Godammit! There were more clams in that version than there are in PJ Harvey’s underpants!”
ChrisB: “Dude, there’s only one clam in there.”
OD: “I think he means crabs.”
Dev: “He certainly does.”
It was at that point that Larry’s intern regretted the decision to forsake his actuary studies for the sake of pursuing a career in the rock and or roll industry.
Then we decided, as a band, that the best way to fuck with future historians is to fill and bury a hilariously inaccurate time capsule chronicling (or putting the “chronic“ in chronicling) the status quo in DeKalb at the beginning of the 21st Century.
Appropriately named Time in a Butthole, its contents include, but are not limited to…
8gig thumb drive
Monkey paw
Woodcarving of the Old Dog bashing my brains in with a rock
A rock with blood on it
Gift card for the Pottery Barn
In spite and probably because of the nonsense we nailed the complete drum track for Harvest Here by Take 5. Then Dev Joe and I redid our parts with Chris playing in our cans.
NOT THAT YOU SICK BASTARDS!!!
Well, a little of that. We're not going to leave our wives behind for the evening without some assplay. Is assplay one word? Jeanz??? Dennis Reynolds? Anybody?
Joe and I were done by the 2nd round of od’s take 2 or 3 (I forget)…and we let Devin go nuts and finish everything off.
Dev took a copy to work on one more thing for a part in the middle of the song. ChrisB took the individual tracks on his thumb drive (not the one we are burying) to play around with using his home studio. Joe and I took boring old Cds. We are so unhip. We should’ve downloaded everything as project files to our phones, then e-mailed the song to our work machines set to play when we got to our desks the following morning @ 7am.
Shut up ed
We are balls deep into making Kish and haven’t broken a sweat. I have never made a record like this. It is so free and easy (for $60 a session)…well fucking worth it since I have miked nary a rack tom, nor used band money to pay someone’s car insurance or dealt with one minute of boring drama fucking drama…or had to hear what a drag the studio was and wake me when we play an interesting gig.
The biggest change is that we have not played these songs a hundred times over five years and who knows how many shows. We have a rough idea of what we’re shooting for and no expectations. Most importantly I think we know how to trust each other…how to make suggestions to each other and when to listen.